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I know it’s been a long time, but we’re back! This episode is about my hospitalization. I talk about what I remember and Lesley fills in the blanks. There are a lot of blanks. This is especially true when she talks about the 2 1/2 weeks that I was in a coma. We packed as much as we could but there were many details that didn’t make it.
In this episode, we take a spin on Nina Simone and some of the choice covers she made. She sang the songs of many composers, but today we’re going to zero in on her interpretations of pop, rock, and soul tunes. Songs that are associated with the likes of the Byrds, Frank Sinatra, Ike and Tina Turner, Bob Dylan, the Beatles and more. As always, the high priestess of soul delves deep and renders something new and all her own with spellbinding results.
ABOUT THE MAJOR SCALE:
Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!!
The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources.
The Major Scale can boast amongst it’s guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar.
Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it’s umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that’s what the Major Scale strives to do.
For the curious, and lovers of music who like the details in between.
ABOUT KYLE EAGLE (Host):
Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic’s documentary “This Is Gary McFarland”, and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey.
ABOUT CHRIS BARANYI (Producer):
Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR’s Echoes. His passion includes jazz, vintage microphones, and hot sauce.
This week on The Meat Limit, the gang celebrates ONE YEAR of podcasting with each other by reminiscing about all that’s happened and all they’ve learned in the past year. PLUS, Scarlet is a little too excited about the release of Disney’s Descendants 3, Leon has a new use for his microphone, Matt gets frustrated by technology, and some special guests drop by. Enjoy the show!
This week we talk about the new beers from Dog Fish Head, drinking a double IPA from Intracoastal and learn about one of the industry’s most notorious scam artists, Stephen Foster.
