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In episode 389, Chris Crespo and Drewster Cogburn do the thing and review Da 5 Bloods, The King of Staten Island, and Artemis Fowl.
Also discussed: The Room Where It Happened by John Bolton, Crossing Swords on Hulu, favorite sitcoms, 80s and 90s movie sex scenes, movie delays, the Universal Studios Bourne Stuntacular, and much more!
Support the show and remember to damn the man, save the Empire!Continue Reading …
On this episode we are joined by Shannon! We talk about Vaginal Rejuvenation, Micro Penises, Midgets, Fisting, Dick Tucks, Creampies, Sex while kids and family are in other rooms, Trump trying to remove healthcare for transgender people and much much more!Instagram @ChicosBrain
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We go for another round of the conversational game THAT YOU CAN HELP NAME! There will be a poll on the Tidbits page for you to vote for one of the two, very similar, names!
Chicken Fire’s handsome man, Kwame, discusses his rise to chicken power and how hot is too hot.
rapper/producer/audio engineer/ozone second generation – 200 records a day #246
200 RECORDS A DAY calls in from philadelphia. it was fun!
HERE IS SOME OF THE STUFF WE TALKED ABOUT:
the long lost art of rolling a proper bluntContinue Reading …
In this episode of the Major Scale we have Nobody… no, it’s not a scheduling snafu, it’s Elvin Estela, an artist who goes by the moniker of Nobody. For over 20 years he’s been fighting the good fight by composing amazing music that ranges from the outer reaches of psychedelic infused hip hop to rare groove suites of the highest order. We’ve been dying to talk to him since The Major Scale started and on this episode he joins us to wax poetic on music, influences, ‘90s college radio, and other things all too familiar.
Michael Blake returns with something old that is new again–the re-release of Slow Poke At Home. Originally recorded in 1998 during a landmark year in the saxophonist’s career, today the original release fetches a fairly hefty price. Like all of Blake’s work, Slow Poke is a curious collection of originals and imaginative covers by Duke Ellington, Neil Young, and Eddie Harris. It’s a sonic crossroads of bluesy slide guitar and a jazzy rhythm section that, at times, is gruff and rootsy as well as ethereal.
Curious indeed.Continue Reading …
